Review

Celldweller: ‘Frozen’

Imagine Marilyn Manson, deadmau5 and Vannila Ice (post-’Ice Ice Baby’) all rolled into one! Here’s electronic rock mastermind Celldweller’s new music video…

Music

For The Record(s): Best Band Albums of 2011

JUICE Best Records of 2011 list continues with our favourite band albums.

Music

For The Record(s): Best Electronic Albums of 2011

We kick off our Best Records of 2011 list with the best electronic albums of the year.

Music

2011 in Singularity – Best Singles of the Year

2011 in singularity. Juice takes a gander at this year’s amount of songs and arbitrarily awards them with Best Of titles (and ridicules some)…

Design

Kazimir Lee: Caricature Galore

Cubans are good looking, according to Kazimir Lee that is. JUICE speaks to the comic artist-cum-animator… Ooops, we mean animator-cum-comic artist (in that order), unscrambling his thoughts on not being a racist, the use of hallucinogenic and why he can’t call his boss at 4am…

Design

Siow Foon: An Eye for Making Things

We were curious of Siow Foon’s morbid curiosity.

Detonate

+2dB: Dance Hath No Fury Like Two Women Scorned

+2dB’s ‘Tempus’, while just as moody in execution, is a more upbeat counterpart to their debut track ‘Syren’.

Knowledge

Detonate: L-Vis 1990

In a scene where repetition rules not just the loops in a beat, but the similarity in the acts as well, it’s easy for everyone to lay claim to breaking the mould. Dance producer/DJ L-Vis 1990, is just the kind of act to do that, but here’s the key difference between him and other braggadocious acts – L-Vis 1990 does subvert genre conventions.

Detonate

KhromeEyez: Spaced Out 808s

Dweny ‘KhromeEyez’ Dwen was your typical rapper dabbling in generic hip hop production before being hit hard by a one-two combo of 808s and rapegaze. Rather letting things fall into place naturally (read: randomly) than following a precise method to beatmaking, Dweny is an accidental talent whose drunken drums actually sound like there were a […]

Detonate

PRΔD@NΔ: Chop-Screwy Suey

If it weren’t for his talent, we could never forgive PrΔd@nΔ for his painfully hard-to-spell hipster nom de producteur (just as you’d never forgive us for the pretentious use of a French phrase here). Being something of a walking music encyclopaedia, PrΔd@nΔ was into every niche electronic genre before everyone else. Heck, he was a […]