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Bassment Syndicate: Out of the Basement
Bassment Syndicate’s fangirl, Naj Frusciante, gushes about the band in preparation for their Future Music Festival Asia 2014 performance.
Nils Frahm: Spaces
Both conceptual (in the incorporation of audience and ambient sounds) and not highfalutin (the longest, loudest track is titled ‘For – Peter – Toilet Brushes – More’) it’s neo-classical minimalist musique concrète that’s quite a quiet delight for the senses.
Gesaffelstein: Aleph
Yes, he may have produced Kanye West’s ‘Black Skinhead’ and ‘Send It Up’, but on his own – as the purported dark prince of techno – his debut is an intense introduction to his own take on varied genres of electronic music.
Death Grips: Government Plates
Death Grips’ seemingly unrelenting quest to provoke might just make them the most important music act in the independent scene.
Sampha: Duality
Ever since Sampha’s smoky, restrained falsetto registered on SBTRKT’s debut LP, he marked a quieter presage of the r’n’b renaissance that came post-Frank Ocean and The Weeknd.
Asahi Malaysia Pres. JUICE Curates: ‘We’re Rocking Down the House’ by Axel Groove
Out with Buddy Love and in with Axel Groove.
VIDEO: CEO’s ‘WHOREHOUSE’
The synths are sharp and playful, the vocals fluctuate in pitch to infantile level, and the chorus reeks of innocence – why the hell is this called ‘WHOREHOUSE’, again?