Review

Arcade Fire: Reflektor

Arcade Fire abandoned rock’n’roll for indie dance.

Review

Gesaffelstein: Aleph

Yes, he may have produced Kanye West’s ‘Black Skinhead’ and ‘Send It Up’, but on his own – as the purported dark prince of techno – his debut is an intense introduction to his own take on varied genres of electronic music.

Review

Warpaint: Self-Titled

No sophomore slump here, folks. Warpaint delivers.

Review

Death Grips: Government Plates

Death Grips’ seemingly unrelenting quest to provoke might just make them the most important music act in the independent scene.

Review

Danny Brown: Old

Danny never glorifies being poor and doing crime — this man isn’t selling the Great American Gangster Story perpetuated by the likes of Jay-Z and most NYC rappers.

Review

Chvrches: The Bones of What You Believe

JUICE was glad that our expectations were tampered before coming into the band’s debut The Bones of What You Believe – because it’s every bit as good as we originally believed.

Review

Haim: Days Are Gone

Days Are Gone is a product by a band that grew up beholden to old school rock, ‘90s pop r’n’b, and girl power bands.

Review

AlunaGeorge: Body Music

More indebted to glitch, UK 2-step, and the bedroom producer scene, Body Music follows the cue of their numerous singles released previously, doubles their amount – you’ve probably heard nearly half of this record before – and then puts sheer focus on what they want to accomplish.

Review

King Krule: 6 Feet Beneath the Moon

On his debut LP, King Krule is occasionally transcendental in his romanticisation of the disillusioned and inebriated living in the sprawling urban mess that is London.

Review

Janelle Monáe: The Electric Lady

On the followup to The ArchAndroid, Cindi Mayweather the android is finally human.