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Review
Mark Ronson has finally defined himself as an artiste in his own right.
Son of Pentecostal preachers or doped up coke fiend?
Not as good as we had hoped it to be.
20 years on and Robert Hood still does the finest techno you can dance to.
Never truly dreadful, but never really ever great either.
Foo Fighters aren’t just what they used to be.
Clark’s latest is so crisp, so capable that you barely notice the filth that’s going on around you.
How does the man responsible for Yeezus’ experimental inclination and FKA twigs’ calculated weirdness fare on his own?
No pressure at all, you bastard you.
Over half the tunes in the entire 33-minute-long LP don’t even make the three-minute mark, but he’s made more of that half hour than most artistes do on albums twice that length.