All re:cover art will be made available for auction during the festival, with the proceeds going into helping local musicians to get one step further towards realising their dreams. Those who are interested but unable to attend have the option to bid on re:cover album covers through the TBWA\KL website on the days of the auction (19 – 20 August ’17) itself.
For a sneak peek at some of the artwork that will be on show, check out the pictures below:
Pengemis Cinta by Ella
Artist: Ng Siow Foon
Ng Siow Foon’s reimagining of Ella’s Pengemis Cinta details the process of healing a broken heart and allowing the aftermath of emotions to wash over oneself. Only then, Ng’s art conveys, can one resurface whole from the depths of mourning.
Saat Yang Ku Nanti by DJ Dave
Artist: Driv Loo
Driv Loo, founder of an independent graphic design studio called Little Ideas Everyday (LIE), used various LED fonts you would typically find on digital watches to convey a modern idea of time passing during the wait for one’s love, in line with the title of the album, Saat Yang Ku Nanti (The Moment I’m Waiting For).
Gerimis Senja by Ahmad Nawab
Artist: Liana Azwa
Poet and artist Liana Azwa drew inspiration from ’50s design for her work, transforming the album title into an analogy of dusk and drizzle (‘Gerimis’), and the gleaming sunset (‘Senja’). The setting sun and the artist were transformed into minimalistic figures to produce a modern reimagining of a Malaysian classic.
Keadilan by Lefthanded
Artist: Tan Sueh Li
Tan employs bold typography with the album name, KEADILAN, representing the record’s heavy guitar riffs and downtrodden love songs. The colours are inspired by the band’s 2006 live concert at Planet Hollywood.
Hukum Karma by Wings
Artist: Faridz Husaini
Paying heed to the original album art (which featured the band in a body of water), multimedia and digital design graduate Faridz Husaini incorporates amplified and smooth waves to depict Hukum Karma‘s melodic guitar solos.
Sigadis Ayu by Black Dog Bone
Artist: Olivia Ariferiani
Ariferiani’s illustration tells the story of a father and his daughter, with the playground representing a space where they both feel safe and secure. The train running across the title is a subtle ode to the original album art.
Check out how this Malaysian artist redesigned iconic punk and classic rock album covers as Ramadhan greetings.