Interview

Strip Steve: Garbage Pail DJ

JUICE spoke to Strip Steve on everything from his fav scratch records, his thoughts on scratching today to his literary inspiration.

Interview

Starkillers: Beyond Las Vegas

Landing himself a spot as one of the headlining acts for the Pinnacle of H-Artistry – The Global Art of Mixing Trilogy, JUICE got the chance to speak to Starkillers and found out about his fondness for bananas before a show and what Vegas is really like.

Last Word

#NOSHOTS: Decadence

JUICE Veteran WordsManifest writes a lovely letter to the decade of decadence that was JUICE’s 10 years.

Design

Robert James Buchholz: Wish Big

We had a chat with the Robert James Buchholz, who will be bringing his gigantic Wish sculpture to Heineken Thirst 2012, on transporting such a huge piece of art and whether anyone’s gonna get stabbed by a piece of it…

Interview

Avicii: Sweden’s Best Export

JUICE speaks with Avicii before his first performance in Malaysia at Heineken Thirst 2012. He likes his snus and is proud of Ikea.

Interview

Rebecca & Fiona: Sweet Swedes

JUICE followed Rebecca and Fiona to Pink Tattoos last October for the latter’s very first tattoo sesh and spoke to Rebecca on everything from their womance to being attracted to producers.

Review

Tenderfist: Tourist Car

Tenderfist sounds better than ever now, just when we thought they were in a ‘This Wasted Heart’ stasis, the boys toured Europe and came back with a promising debut.

Interview

Spector: Topmen

Spector entertained JUICE during a one-on-one couch sesh with their eclectic taste in cheese — which segued gracefully from talk of homicide — and clothes, all while delivering the sort of dry wit not unheard of coming from a Brit.

Interview

Band of Horses: Fade-Away Garage Rock

Mere days before the release of Band of Horses’ fourth studio album, keyboardist Ryan Monroe took the time to talk to JUICE about what it’s like being in a band whose almost their entire cast sport full beards.

Review

Flying Lotus: Until the Quiet Comes

Until the Quiet Comes is just as impressive as sophomore Los Angeles and better than the previous record Cosmogramma and debut 1983.